Hubert Julian "Jay" Stowitts was an American painter [1] and ballet dancer.
Jay Stowitts was born on June 26, 1892, in Rushville, Nebraska. [2] His family moved to Los Angeles and Stowitts attended the University of California, Berkeley, from 1911 to 1915. At Cal he was captain of the track team. [3] He joined the dance company of Anna Pavlova and toured the world with her, [4] performing in works such as La Peri. [5]
For the 1936 Summer Olympics in Berlin, Stowitts painted a series of nudes with Olympic athletes such as Woody Strode, Briggs Hunt, William Golden, Bobby Riggs, and Frank Kurtz. [6]
Stowitts died in 1953.
Anna Pavlovna Pavlova was a Russian prima ballerina. She was a principal artist of the Imperial Russian Ballet and the Ballets Russes of Sergei Diaghilev, but is most recognized for creating the role of The Dying Swan and, with her own company, being the first ballerina to tour the world, including South America, India, Mexico and Australia.
Malvina Cornell Hoffman was an American sculptor and author, well known for her life-size bronze sculptures of people. She also worked in plaster and marble. Hoffman created portrait busts of working-class people and significant individuals. She was particularly known for her sculptures of dancers, such as Anna Pavlova. Her sculpture series of culturally diverse people, entitled Hall of the Races of Mankind, was a popular permanent exhibition at the Field Museum of Natural History in Chicago. It was featured at the Century of Progress International Exposition at the Chicago World's Fair of 1933.
The culture of Los Angeles is rich with arts and ethnically diverse. The greater Los Angeles metro area has several notable art museums including the Los Angeles County Museum of Art (LACMA), the J. Paul Getty Museum on the Santa Monica Mountains overlooking the Pacific, the Museum of Contemporary Art (MOCA), and the Hammer Museum. In the 1920s and 1930s Will Durant and Ariel Durant, Arnold Schoenberg and other intellectuals were the representatives of culture, in addition to the movie writers and directors. As the city flourished financially in the middle of the 20th century, culture followed. Boosters such as Dorothy Buffum Chandler and other philanthropists raised funds for the establishment of art museums, music centers and theaters. Today, the Southland cultural scene is as complex, sophisticated and varied as any in the world. Los Angeles is strongly influenced by Mexican American culture due to California formerly being part of Mexico and, previously, the Spanish Empire.
The J. Paul Getty Trust is the world's wealthiest art institution, with an estimated endowment of US$7.7 billion in 2020. Based in Los Angeles, California, it operates the J. Paul Getty Museum, which has two locations—the Getty Center in the Brentwood neighborhood of Los Angeles and the Getty Villa in the Pacific Palisades neighborhood of Los Angeles. Its other programs are the Getty Foundation, the Getty Research Institute, and the Getty Conservation Institute.
La Péri is a 1912 ballet in one act by French composer Paul Dukas, originally choreographed by Ivan Clustine and first performed in Paris, about Iskender searching for immortality and his encounter with a mythological Peri. It was premiered on April 22, 1912.
Theodore Roosevelt High School is an educational institution located in the Boyle Heights area of Los Angeles, California named for the 26th president of the United States.
The Getty Research Institute (GRI), located at the Getty Center in Los Angeles, California, is "dedicated to furthering knowledge and advancing understanding of the visual arts".
The Getty Foundation, based in Los Angeles, California at the Getty Center, awards grants for "the understanding and preservation of the visual arts". In the past, it funded the Getty Leadership Institute for "current and future museum leaders", which is now at Claremont Graduate University. Its budget for 2006–07 was $27.8 million. It is part of the J. Paul Getty Trust.
Enrique Martínez Celaya is a contemporary Cuba-born painter, sculptor, author and former physicist whose work has been exhibited and collected by international institutions. He trained and worked as a laser physicist, completing all coursework for his doctorate, before devoting himself full-time to his artwork. He holds master's degrees in physics and fine arts and has authored books on art and philosophy and science articles.
Bruce Yonemoto and Norman Yonemoto are two Los Angeles, California-based video/installation artists of Japanese American heritage.
Luis Alfaro is a Chicano performance artist, writer, theater director, and social activist.
Philip Gefter is an American author and photography historian. His books include Cocktails with George and Martha: Movies, Marriage, and the Making of Who's Afraid of Virginia Woolf?; What Becomes A Legend Most, the biography of Richard Avedon; and Wagstaff: Before and After Mapplethorpe, the biography of Sam Wagstaff, for which he received the 2014 Marfield Prize, the national award for arts writing. He is also the author of George Dureau: The Photographs, and Photography After Frank, a book of essays published by Aperture in 2009. He was on staff at The New York Times for over fifteen years, where he wrote regularly about photography. He produced the 2011 documentary film, Bill Cunningham New York.
Howard Fried is an American conceptual artist who became known in the 1970s for his pioneering work in video art, performance art, and installation art.
Muriel Stuart was an English-born dancer and dance educator, based in the United States. She trained with Anna Pavlova, and taught at the School of American Ballet.
Pacific Standard Time: Art in L.A., 1945–1980 was a scholarly initiative funded by the J. Paul Getty Trust to historicize the contributions to contemporary art history of artists, curators, critics, and others based in Los Angeles. Planned for nearly a decade, PST, as it was called, granted nearly 60 organizations throughout Southern California a total of $10 million to produce exhibitions that explored the years between 1945 and 1980. Underscoring the significance of this project, art critic Roberta Smith wrote in The New York Times:
Before [PST], we knew a lot [about the history of contemporary art], and that lot tended to greatly favor New York. A few Los Angeles artists were highly visible and unanimously revered, namely Ed Ruscha and other denizens of the Ferus Gallery, that supercool locus of the Los Angeles art scene in the 1960s, plus Bruce Nauman and Chris Burden, but that was about it. After, we know a whole lot more, and the balance is much more even. One of the many messages delivered by this profusion of what will eventually be nearly 70 museum exhibitions is that New York did not act alone in the postwar era. And neither did those fabulous Ferus boys.
Anthony Friedkin is an American photographer whose works have chronicled California's landscapes, cities and people. His topics include phenomena such as surf culture, prisons, cinema, and gay culture. Friedkin’s photographs have been exhibited in the Los Angeles County Museum of Art and the J. Paul Getty Museum. His photographs are included in major Museum collections: New York's Museum of Modern Art, The J. Paul Getty Museum and others. He is represented in numerous private collections as well. His pictures have been published in Japan, Russia, Europe, and many Fine Art magazines in America.
Celeste Strack Kaplan, was an American social worker, educator, and activist. From 1973 to 1982, she was executive director for El Nido Family Services, and in 1983 helped found and served as the initial president of the Los Angeles Roundtable for Children until 1990. She was also a professor at the University of Southern California School for Social Work from 1983 to 1990, and helped create the Los Angeles County Department of Children and Family Services in 1984. In 2012 she was selected for the Social Work Hall of Distinction.
Carolina Caycedo is a multimedia artist based in Los Angeles.
Edmundo Meza, also known as Mundo Meza, was an artist and activist who was born in Tijuana, Mexico and grew up in East Los Angeles. He discovered his passion for the area's avant-garde culture in early 1970. As an emerging artist, Mundo Meza worked for shoe designer Fred Slatten on Santa Monica Boulevard as a window dresser. He also painted unique designs onto Slatten's platform shoes, gathering a celebrity clientele which included Cher, Elton John, and Diana Ross.
Hilda Butsova, was an English ballet dancer, a member of the companies of Russian dancers Anna Pavlova and Mikhail Mordkin.